Annike Flo’s practice is interdisciplinary, merging a focus on living beings and materials with video, photography and writing. Drawing from scenography, science, and occult perspectives, Flo explores how humans co-manipulate matter, time, and space with other entities, living or otherwise. Emerging through fieldwork, site-specific responses, speculation, and interdisciplinary collaboration her work dwell in the encounters between species, systems, and the unseen. Current obsessions includes the meeting of erotics and death in rot as well as necromantic, mourning and death practices and material cultures. 

Flo is currently an artist in residence with the cross-disciplinary research project Anthropogenic Soils at the University of Oslo (2023–2028), as well as running the long-term artistic research project Afterlives with artist Lexie Owen looking into the materiality of death and mourning (Necromantic Kitchen,Tenthaus, 2025; Artica Residency, 2026; NOBA, 2027). Flo is also currently working on the project Putrescene - a magickal-political evocation facilitating and feeding erotic human–material relations, countering currents of clean aesthetics and human supremacy.

Flo has exhibited at venues including The Smallest Gallery in Soho (UK), Galleri Format (NO), Tokyo Museum of Contemporary Art (JP), RUCKA (LV), Galleri 69 (NO), Meta.Morf (NO), and Atelier Nord (NO). She is also a member of the theatre collective Verdensteatret, with recent performances at REWIRE (NL), Alfred ve Dvoře (CZ), and the former Munch Museum in Oslo. Flo holds an MA in Scenography from the Norwegian Theatre Academy and a BA in Costume for Performance from London College of Fashion, University of the Arts London.